It is mentioned in guide books that there is petty crime in Montevideo.
The young woman in a next door boutique, who speaks English and tells me about Montevideo when I have my expresso, is standing and talking to motorcycle cops as I come out my apartment door onto the street. There are three cops and two motorcycles and one of the officers is sitting on concrete steps leading into the boutique, writing his report.
I go around the corner and enter the back door of the shop, order a coffee in the cafe part of the business. When my friend comes back inside she tells me her whole story, from beginning to end.
“We had a shoplifter,” she begins, “the same one who did it before. We called the police and they took her away. She was putting things in her dress.”
“How do you say the past tense of steal,” she asks me?
“The past tense is stolen, someone has stolen our stuff,” I reply.
Petty crime sticks with us. This petty thief will spend a few nights in jail but won’t learn any lesson except not to get caught.
if there wasn’t crime these cops would be out of work.
The best thief is the one that steals from someone else.
The Urban Heritage group are Old City real estate developers.
Jesper and his wife Olenka, partners in the Group,host an art exposition on the evening of November 7th, 2014 to promote their vision for the area to investors and business people and lovers of the arts.
At seven, art lovers, friends, associates, clients, friends of the band, hired help arrive to celebrate art, business,and throw a grand party. In addition to art by local artist Roberto Ybarra, there are posters of Urban Heritage properties prominently displayed that show what can be done to change abandoned industrial properties into good looking functional living and business spaces.
Roberto works with wood, string, metal, paper, leather, and found objects. He is an older man but does young art, Roberto’s show blurs differences between reality and art.
When does an object belong in a museum? When does art become just a bed you can’t sleep on? Is art more than materials that make it? Is art a way of looking, or a way of living? Is art what we see or what goes on in our own head when we look at it, or both?
” Violinista”, a small work I buy, is now hung on my dining room room wall at home and brings back memories. I swear sometimes that the violinists bow moves and makes a trill so soft it would make a conductor cry.
When I see my violinist and remember Montevideo, I start to hum a slow sultry tango.
At an open air feria in Pocitos,Uruguay there are plenty of people out shopping this morning but only a few horses. While I wait for my empanada from a street vendor, a lady spoils a horse that has been halted near me till an intersection clears of shoppers and traffic can move forward.
It is a joyful morning and the horse is congruent with this event.
This stud takes his snack gently from the woman’s open hand, careful not to miss anything. She talks soothingly to him. He licks her hand to clean up, a perfect gentleman.
Kindness is appreciated wherever and whenever it occurs, and to whomever it is extended.
For two days, hot water has not been working.
The landlord has been attentive, sent someone by who thought it might be something it wasn’t, then sends his maintenance man to troubleshoot.
Hugo comes prepared with a tape measure, apartment keys, an electrical voltage tester, screwdrivers, and instructions that if he can’t get it fixed it will require an electrician or plumber and no hot water for several more days.
Hugo, a short man, stands on a chair and tests power to the electrical box into which the electric hot water heater is plugged. It is getting juice to the box, but no juice through the switch to the hot water heater. He shows me the switch after he pulls it out of the electrical box.
“No bueno,” he says.
“Puede repairo?” I ask.
Hugo says he will be back in 15 minutes, takes the dead switch and leaves to a neighborhood ferreteria, comes back in thirty minutes and completes his job.
A green light comes on at the bottom of the hot water heater when he is done and indicates all systems are functioning properly.
I check the hot water fifteen minutes after he leaves to make sure I have hot water, and I do.
In this world, it is Hugo’s who keep wheels turning.
Cold showers, any time of the day, aren’t hot.
Blues chords aren’t complex, the rhythms and melodies aren’t sophisticated, the harmony is a step down from folk music but several steps below jazz.
Stevie Ray Vaughn isn’t the only white blues man to make it big and suffer an untimely end. He has been gone a while but the songs this group are playing, on Sarandi Street, are straight from his Real Book.
This street band features a bass guitar and a lead guitarist who handles vocals. Percussion is supplied by a kid sitting on a drum box. They have microphones positioned so I hear them from blocks away.
The bass guitar player asks where I am from during a break, and, when I answer, in English, he points me to the lead singer who speaks the best English.
Uruguayans are friendly and helpful people and unfailingly good with gringos trying to speak their language. It is sweet the way they always talk about their bad English, but never mention my abysmal Spanish.
The guys jam, hit notes, stick with the beat – one, two, three, four, one, two,three, four beats to a bar.
I sit on a wide stone window ledge in front of a men’s clothing store and listen to an entire set and make sure I leave them money in an open guitar case.
Texas blues sound good anywhere.
In old Montevideo. I call the band ” Men in Black. ”
Stevie would be pleased.
Walking towards Constitution Plaza from Independence Plaza, there are bronze Generals on horseback every block, as well as little plaza’s and parks.
There is something sad about memorializing heroes in bronze and then placing them outside where pigeons squat on their pointed military hats and defecate on their medals. It is an unfitting end for men who have contributed so much to their country.
There are plenty of fountains on this boulevard too, mostly in the center of plazas with water pouring from jars held by Roman Goddesses or shooting from the pursed lips of cherubs. These fountains sometimes have no water, waiting for maintenance men to hook up lines, clean the pond, paint the walls of the pool. Occasionally, in front of well financed government buildings, you find ponds with water lilies and colorful fish.
In Constitution Park the fountain is generic and empty of water and I am startled because it appears one of the statues from this fountain has been moved by delinquents in front of my McDonalds.
There is a small jar filled with money at the statues feet.
Stepping back and watching, I watch the statue lips move and I see her breathe.
The makeup on her face is thick and her hair is perfect. She remains still and doesn’t make eye contact until I drop a bill into her jar. Then she bows and smiles, reaches into a pocket and hands me my personal fortune written in Spanish, which I have since lost, but am sure it wished me a long and prosperous life with a wife that loves me and seven or eight children who get good grades in school and go to bed on time.
I wave at her, she smiles at me, her palms opening and closing as she clicks two wood castanets. She finishes with a bow, to me, and returns to her statue position.
It is easy to get mentally lazy.
She has made this day spicy, and, for that, she is a real Goddess.
This live concert is next to the Mercado, about lunchtime. There are posters advertising it on phone poles but their music grabs me by the ear through my open studio window and drags me to come watch and listen.
This band calls themselves ,” Murga Don Timoteo”, a local group sponsored by a local paint company.
They perform with style, sporting costumes that look more African and Brazilian than Uruguayan, and, despite their visual cornucopia, they sing with precision, clipping notes that need to be clipped and holding notes that need holding with dynamics and vibrato.
Good singing is good to find and this free concert is good luck for a music lover like myself.
If this chorus line wasn’t dressed up like Las Vegas dancers, would their music sound as good as it does?
The answer, of course, is ,Yes.
Big cities should be a worker’s paradise with good wages because there is too much construction and maintenance needed to match equally with people who will work a long hard day for little pay and no recognition.
Walking near Constitution Plaza, on Sarandi street, Gustavo, a fellow painter, is working in a doorway. He has applied paint remover and is scraping softened varnish off a door jamb with a scraper that won’t damage the wood.
Gustavo’s next step will be to take sandpaper and smooth the wood surfaces. Then, after cleaning, he will apply a thinned down undercoat of polyurethane, lightly sand and wipe everything down with a tack cloth, and finish the project with two full strength coats of exterior polyurethane with a flourish of his three inch sash brush.
Painting is not without honor but, at the end of the day, it was, for me, always a relief to clean my brushes, fold drop cloths, seal up paint cans and load the van.
New doesn’t last long in a city of several million and paint makes glamour girls out of a lot of plain Jane buildings, offices, kitchens,bathrooms and bedrooms.
Working men keep this world operating.
It takes an even bigger crew of painters to keep the stars sparkling.
Next to the farmacia is a door that leads to an upstairs apartment that leads to a family that leads to a mom and dad that leads to a warm place for kids to grow up. When you look at a street of closed doors, faded or chipped or cobbled together, one never knows what is behind them. It is hard to guess what this schoolboy will see when the door to his home opens and he walks into his family bosom.
Kids don’t ask for a lot but they need a home, kind words and behaviors towards them, security, love, and a sense of belonging. These youngsters are brothers and sisters and they are, this afternoon, busy turning back into kids after school has spent all day trying to civilize them.
This afternoon this little boy knocks, peeps into a little slot where mail is dropped, yells out if anyone can open the door and let him inside?
He is excited and ready to dump his school stuff on his bed, then go out into the streets to play soccer with friends.
School isn’t for little boys anymore, but they still have to go.
“We were in the eighties last week,” Jesper tells me, pouring us a Monday afternoon cup of coffee at his desk in a Ciudad Vieja office close to the Port. He talks about the old city versus the new city, how he and his wife are now moving into commercial sales in addition to property management.The studio where I stay for this journey is owned by one of his clients and Jesper manages it as a favor.
The old city of Montevideo, he says, is a hub of economic activity, a place where ships bring goods, government buildings abound, museums are on most every street and lawyers, accountants and young professionals snap up every place that is renovated. This Port area has been neglected but his investment group is bringing people and business back to the neighborhood.
“I am from Denmark,” he continues, “and my wife is from Argentina. She is in New York on business …”
The office is spacious. There is art on the wall and Gabriella told me, when I walked in, in English and Spanish and hand gestures,that a woman will be in to clean my rented studio on Friday, the 7th.
I pay my rent and settle in for this piece of my journey, get a receipt, and catch my bearings.
Travelling and weather hold hands like high school sweethearts.
” Call me if you have any problems, ” my new landlord says.
I leave feeling like he really means it.
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